On Friday, Heron and I flew into San Francisco to meet up with our family. I wanted to see San Francisco again. I haven’t been there since I read at Lip Service West, and it’s a city that reminds me so much of Boston…a place I once sort of called home. So below you will find a documentation of that trip, and it’s my first attempt at writing in the BuzzFeed blog format.

Pumped to head to San Francisco tonight.

— Joseph A. Lapin (@JosephALapin) May 17, 2013

Our first stop in San Francisco was a walking tour in North Beach — the former stomping ground of one of my favorite writers…Jack Kerouac. We stopped at a bunch of Italian bakeries on the walking tour and ate pizza, linguini, homemade bread and macaroons and drank espresso. Our tour guide was Italian and grew up in North Beach. He told us the Italian flag is all over North Beach…but he said it’s hardly called Little Italy.

While I was in North Beach, I knew I had to stop at City Lights, but I wasn’t sure if we would have time. We had to meet Heron’s father at Pier 33 for a tour, and I led us off the trail to the bookstore. Of course, I ended up getting us lost and walking to Market Street, but that’s another story I will hear for the rest of my life…lol.

Finally made it @mikethepoetla @citylightsbooks. Bought rexroth and William Gibson. twitter.com/JosephALapin/s…

— Joseph A. Lapin (@JosephALapin) May 18, 2013

Then after North Beach…

Taking a boat to Alcatraz…the shadow of freedom, the inhabitable of exile.

— Joseph A. Lapin (@JosephALapin) May 18, 2013

I love all movies and books about prison — Shawshank, Green Mile, Oz, The Fixer. By examining prison life, it forces me to look at my freedom, and it causes me to wonder: With prison always looming in the background of our lives, can we ever be free?

What’s amazing about the tour is that they give you a pair of headphones and an audio version of a former guard walks you through the prison. It’s amazing to hear stories of the prisoners. On certain summer nights, the prisoners ould hear the sounds of freedom — laughter, girls and music — wafting over from the San Francisco Yacht Club. Freedom was so close and so far.

A view from Alcatraz…tantalizing freedom. twitter.com/JosephALapin/s…

— Joseph A. Lapin (@JosephALapin) May 20, 2013

I also didn’t realize that Native Americans, after the prison closed in 1963 , took to The Rock to occupy and protest their rights to land.

We had a great time in San Francisco, but then on Sunday, we drove out to Napa Valley. I didn’t realize how close Napa was to the city, and the drive was stunning. We stopped for some cherries on the side of the road. On a recommendation, we visited Mumm Napa for some champagne.

Then we stopped at St. Supery and played a little bocce ball.

In the end, it was an amazing weekend. I picked up a book by Williams Gibson and Kenneth Rexroth, and I even got some writing in during the plane rides. The book is coming along. It’s nice to remember to be a part of the world, while I’m trying to create one in an office on a Mac computer. Let me know what you think of the new blog form. Your comments are always welcome. Photos were taken by my beautiful wife, Bianca Lapin.

Categories: Travel Writing

Tagged: Alcatraz, BuzzFeed, italian bakeries, Napa Valley, Prisons, San Francisco, travel writing, william gibson, wine

Three Great Lessons I Learned from Detroit

After I graduated from Stetson University in 2007, I didn’t know what was next. I was dating my current wife, Heron, and we wanted to stay together. Well, I wanted to travel and see somewhere new, but she had to find a place that made sense with her work. So we looked at the options of where she could go, and we decided on…Detroit, Michigan.

Neither of us knew anything about Michigan, but we moved there anyway. My heroes — Hemingway, Kerouac, Twain, — all said that if I wanted to be a writer, then I needed to travel to know places. So I figured, no matter what, Detroit was a new place, and I would surely be able to write about it one day. Yeah, I would find some job, and I would write at night — or even when I was at work. What did I know?

We moved to Detroit in the fall of 2007, and the presidential elections were underway. I can still remember McCain saying the fundamentals of the economy were strong, and then the economy suddenly fell off a cliff. Of course, the recession then pillaged the rest of the country, but what I found when we moved into Ferndale was that the recession was already there in Detroit. It was very hard to find work, and I ended up working at the desk of a YMCA, teaching guitar, and working as a substitute teacher in some rough schools. Now, I’m beginning, finally, to start to write about that experience. So here is a list of the greatest lessons I learned from my year in Metro Detroit — a city that I hold close to my heart.

1. Libraries and piano stores are safe havens.

I was out of work in Detroit for a bit, and it was tough to find a job. I thought because I had a degree from an excellent school in Florida that everyone in the city would want to hire me. Well, it’s difficult when everyone else is looking for a job, and they already know people there. So I had to find a headquarters to set up and look for a job, and it ended up being the Royal Oak Public Library. Every morning, I would drive over to the library, find a table, and look for work. I had no idea how to find a job, but I kept at it. And on breaks, I would read short stories by my heroes and search for an answer.

But what I noticed was that I wasn’t the only one who had this idea. There was free internet at the library, and the computers were always swamped with people. Homeless men and women from all over the city would be waiting for the library to open so they could use the computes and the bathrooms. I’ll never forget walking in with them in the morning. I had a cup of coffee in my hand; they held their change of clothes in a plastic bag. I really empathized with them. Of course, my circumstances were infinitely more stable, but I also felt like I didn’t have a home. And the library became a place of comfort for the lost and wandering.

I would also go on walks at lunch breaks, and I wanted to find a place to hang out where I didn’t have to pay money. What I found was that piano stores were a great place to relax. I would walk in and play the piano for twenty minutes, and then I would walk out and head back to looking for jobs. So no matter what happens to me in my life, I know I will always have piano stores and libraries.

2. Work is beautiful and can be art:

Many people don’t know this, but the Detroit Institute of the Arts is one of the best museums in the country. It might just be because of their amazing mural painted by Diego Rivera. It’s scales four massive walls, and it depicts men in the car plants, creating the machinery as the mural morphs to reveal that we are all also machines created by a similar assembly line. Seeing Rivera’s mural has proved to be one of the greatest artistic experiences of my life. That’s one of the first times I understood that work was art.

Back home in Clinton, Massachusetts, I worked some jobs doing manual labor, and I knew very early on I needed to find a way to use my mind instead of my back. But while I was going through this process, working at a farm or picking stones out of the Earth, I met so many people who made this their life. And I don’t know how to articulate it yet, but those people who worked with their hands were beautiful. They seemed to be at peace with something that I wasn’t.

Philip Levine writes such beautiful poetry about work in his collection What Work Is, and his poetry has inspired me beyond, well, I can ever express. He is a true “working-class hero.” I was lucky enough to interview him at the LA Weekly.

And now I remember seeing that Van Gogh had painted people working in the fields. I remember the people wandering around in the cold in Downtown Detroit, the snow covering the cars and the streets, when I drove into a hip restaurant to apply for a job waiting tables. I remember working in the YMCA, watching gym towels spin in a washing machine. I remember the snow outside of the high school where I was a substitute teacher, right off of 10 mile in Ferndale, or some mile, way beyond the reaches of my consciousness. I remember that I gave out all my books to my students, hoping they would find solace in words.

3. It wasn’t going to be easy.

Probably the best lesson I learned from Detroit was that it wasn’t going to be easy…being a writer in this world. It was a shock to find a city that wasn’t opening their arms to me, because I thought I was some hot-shot. It was a shock to find that securing a real job after college was not guaranteed. It was a shock to find that when I went to apply for teaching jobs they laughed at me and my American Eagle collared shirts. It was a shock to find the darkness thicker than the snow, thicker than the memory of night back home.

I was just a kid who thought that I could wander into a city and become a writer…or a teacher, but no, Detroit said, nothing is handed to you. You need to work for it. You need to bust your ass. And you need to be thankful for your job at the YMCA or a substitute teacher. You need to be thankful that you can teach guitar. You need to be thankful that you can see this part of the world, no matter how tough it is.

In the end, I feel that I had grown a lot in Detroit, and I didn’t even have it that tough. I love that city, because there will always be a part of me, a young and naive part, still wandering into piano stores and libraries, trying to kill time.

Categories: Detroit

Tagged: cars, climate, Detroit, Economy, Great lessons, Libraries, Looking for a job, transportation, writing life, YMCA

New Piece at the LA Weekly, Booktalk Nation, and Junkie Love

josephalapin

Posted on April 11, 2013

It’s been an eventful week with a lot of exciting news, and I haven’t even had the opportunity to document all that’s been going on. Last week I had a new piece appear at the LA Weekly on Matthew Specktor’s American Dream Machine. I loved writing this piece, and it seemed to have a connection to the piece I wrote a couple of months ago on trying to rediscover the California dream. I was lucky enough to interview Specktor at Musso and Frank’s in Hollywood. That restaurant is one of the coolest places in the city. I love how it’s dripping with the ghosts of an ancient Hollywood. Now I’m working on a piece on Chiwan Choi. I’ll be interviewing him soon. Looking forward to that.

Another exciting development: As part of Booktalk Nation, I will interview Matthew Specktor on the program. I’m going to have a discussion about his book American Dream Machine. This is going to be a pleasure. I’m so excited about this event, and I really hope you will sign up for the talk. Click on the link above and enter your email. You will receive a phone number and a conference-call code.

And finally, my good buddy, your good buddy, Joe Clifford had his novel, Junkie Love, appear on bookshelves everywhere. Have you picked up your copy? Well, I believe you can buy it here: Amazon. Lol.

Categories: LA Weekly

Tagged: booktalk nation, Joe Clifford, Joseph Lapin Writer, LA Weekly, Matthew Speckotr

The Greatest Lesson I Learned from Rehab

josephalapin

Posted on April 3, 2013

I was in a rehab center from July, 2011 to July, 2012. Now, I didn’t end up in this facility in the traditional way. I wasn’t dealing with drug addiction; I wasn’t struggling with alcohol addiction; and I wasn’t seeking treatment. In fact, I’m being a bit coy here…I needed a job.

In May of 2011, I graduated from the MFA Program at Florida International University — have you heard about our great alumni: Richard Blanco, Dennis Lehane, Joe Clifford and Patricia Engel! — and I moved out to Southern California to live with Heron. I didn’t know anybody out in L.A. I bugged my teachers endlessly for contacts until they threw some names at me, and I cherished those names like lifeboats on a sinking ship.

Of course, when I moved out here, I reached out to those contacts, and I learned a lot from them and continue to benefit from their knowledge and experience, but I didn’t find a job…at least right away. So I scoured the city, looking for something to pay my rent and bills, and I came across an ad on Craigslist to teach creative writing at a rehab center. Well, I was a teacher, and I was a writer — Could there be anything better?

I applied and got the job. I couldn’t wait to start, but as you might have read before, I had to drive 44 miles through the worst traffic in the country from Long Beach to Woodland Hills. That’s beyond the point. I’m not here to bore you with the same story of transportation.

Well, after I started working at the rehab center, I realized the drive was killing me, and I wanted a job where I was writing more. I loved teaching, but I was dissatisfied and wanted to write all the time — or at least more and get paid for it. I became frustrated. I became anxious. I became impatient. Suddenly, I felt stuck in a situation.

Everyday I listened to the counselors talk about the steps and the Big Book, and initially all this jargon just washed over my head. What did I care? Of course, I wanted to help the kids — oh, more than anything in the world — but I wanted to teach them through words and writing and other sunshine bullshit that I still believe in.

Then one day, something changed.

One of the counselors there — he was this huge guy with a mullet — caught my attention. He took me aside and basically told me to look around. Be a part of this team. You’re trying to run your own show, man. Be here with us. Be in the moment. That’s what this is about. You’re going to move onto something better soon, but for right now, be here, be with us.

He woke me up. I was so fixated on the next step, being a writer, and moving on that I wasn’t in the moment. I began to listen to him more when he spoke to the kids. He used to walk around the room, flicking his mullet, smacking kid on the back, hugging people who walked into the room. His personality was so large you couldn’t help but pay attention. And his mantra was always — be in the moment.

I’ll never forget this story he told about being in jail. He talked about being overwhelmed by the amount of time he had to serve. That it became impossible to not future trip and let your anxiety spin out of control. And he said the only thing that mattered, his only comfort, was that the second-hand on that clock kept ticking.

That was a really profound moment for me. Sometimes, I live like I’m in jail. No, I’m not comparing my life to an actual prison, but I’m saying that I can feel stuck; I can feel trapped; and I can forget about that second, that moment, because I’m so disconnected that my own impatience and ambition can be a trap. That’s the greatest lesson I learned. That I needed to struggle, to fight to be in the moment. To remind myself that this very next word is the next word I’m going to type and this very next thought is the next thought I’m going to think and this very next breath is the next breath. The rest, to a certain extent, is out of my control.

This was humbling. I’m an ambitious guy, and I’m never satisfied. But when I forget to focus on what’s in front of me, well, that’s when I slip up and lose control. How hard is it to be present? How hard is it to remember nothing in the future is guaranteed? How hard is to believe that the path you are on is guiding you to a place of happiness?

Categories: Los Angeles

Tagged: ambition, Any Winehouse, Being in the moment, rehab, writing

The Place Beyond the Pines — The Desperation of James Dean

josephalapin

Posted on April 1, 2013

Last Saturday, Heron and I went down to the ArcLight Theater in Hollywood to see The Place Beyond the Pines. It came out the day before, and we really knew nothing about the movie beforehand. I saw that Eva Mendes, Ryan Gosling and Bradley Cooper were in the movie, and I thought that sounds like a terrible mix. The film is pitched as a crime movie, but in the end, it seems to be more about familial relationships, generational feuds and the tension between father and sons. Plus, there is a lot of dirt-bike riding and bank robbing. For the women: Gosling’s abs; for the men: Mendes without a bra. (Let me take that back. There are probably a lot of men interested in Gosling and a lot of women interested in Mendes, too.)

So, what did I think of this movie? Before I tell you my opinion, I want you to listen to what others had to say about this movie.

130328_MOV_PlaceBeyondPines.jpg.CROP.rectangle3-large

In the LA Weekly, Scott Fondus writes that he’s unsure if Gosling is parodying masculinity. It seems to me that Fondus is unsure how to read Gosling’s character, Handsome Luke, in the movie. He also calls Mendes disposable. “But the disparate pieces,” Fondus later writes, “never quite jell; the movie is all trees and no forest.”

The LA Times gave the movie a tepid review: “The movie is intimate in its telling, sweeping in its issues and stumbles only occasionally.” The writers riffs on the economic conditions the director, Derek Cianfrance, loves to focus on and how these people are on the fringes of desperation. Cool. I feel yah.

Justin Craig at Fox News, well, he basically calls for an oscar — but not really: “It’s usually far too early to even utter the words “Oscar,” but “The Place Beyond the Pines” is movie gold. Ryan Gosling and Bradley Cooper have never been better than in Derek Cianfrance’s (“Blue Valentine”) brooding, immersive crime drama.” I was generally surprised that someone at Fox News would like this movie, but maybe I shouldn’t be such a stereotyping asshole.

A.O. Scott at the New York Times has this to say: “It goes on too long: the three-part story, spread over nearly two and a half hours, represents a triumph of sympathetic imagination and a failure of narrative economy. But if, in the end, the film can’t quite sustain its epic vision, it does, along the way, achieve the density and momentum of a good novel.” Good for Scott. He’s telling it like he sees it. The movie is long — over two hours — and the story has three parts, and it makes an abrupt shift in point of view in the middle that is shocking and almost absurd. I hear you. Don’t worry though. I’m getting to my point. First, watch the trailer:

Now I’m not a movie critic, and I don’t pretend to be. But I know story. And I’m going to say what all the other critics were too scared to say; The Place Beyond the Pines will be a classic movie, and Gosling’s performance, his character, will become legendary. Gosling as Handsome Luke reminds me of a James Dean. The characters in The Place Beyond the Pines and a move like Rebel Without a Cause — Handsome Luke and Jim Stark — are remarkable and similar, because they are on the edge of desperation (to borrow a term from the NY Times), searching for something to care about, to believe in; once they find that something, there is no letting go. And there is usually violence and an unbridled pursuit of disaster. Gosling captures, in my opinion, this rare energy that goes beyond masculinity and into the realms of madness. A controlled madness poking below the surface. A madness, a failure to fit within certain roles, an inability to accept the rules of society. In Handsome Luke’s case, the rule that he is not allowed to see his child. He’s one of those characters who Kerouac would have wanted to follow down the streets lit by hysterical roman candles.

Of course, there are elements of this movie at first glance that can seem pedantic. Yes, there are a lot of bank robbing scenes, and the main character is robbing banks to provide for his family. Yes, there is a bad-ass dude riding a bike — but it’s a dirt bike. Yes, the movie has another role where Bradley Cooper’s character has a tremendous amount of douchey vibes. And yes, the movie does have segments that shift abruptly and seem to make the movie feel long.

But Alfred Hitchcock was accused of something similar when Psycho came out. The main character, the woman who is killed in the Bates Motel, is suddenly gone from the movie, leaving the story to continue without her. It broke the normal and accepted narrative structure, and the story seems to begin again — though it circles around again at the end.

And without ruining the movie, The Place Beyond the Pines makes a similar move, but this is what I love about the movie. It doesn’t succumb to the normal rules of modern cinema; it doesn’t treat the viewer like an idiot who can’t sit still for over two hours; and it reminds the viewer that stories come in all shapes and sizes. This movie and Gosling and Cooper’s performances will be remembered for a long time. Plus, the two kids at the end are amazing. Go see this movie and let me know what you think. As always, your comments are more than welcome. Love to hear what you thought of the movie.

Categories: Movies

Tagged: Arclight Theater, Bradley Cooper, Hollywood, jack Kerouac, James Dean, Movie Times, Movies, Moviet Theater, Ryan Gosling, The Place Beyond the Pines

Judge These Book Covers: My 10 favorite book covers in my house

josephalapin

Posted on March 18, 2013

Heron’s sister and her friend came over this weekend and rearranged our house as a wedding gift. They put my books all around the house, and it provided a great opportunity to look at some of them I haven’t paid attention to in a while. So I decided to put together a list of my favorite book covers I currently have in my house. Now, I didn’t include art books, because I thought that would be unfair, and some of my books I gave away. But these are the books I find myself just admiring for the cover sometimes long after I had finished it.

**10. Ernest Hemingway’s In Our Time – Trains and War and Masculinity**

9. Friedrich Nietzsche’s Basic Writings — The “superman” on the cover looks like he’s actually the cause of earthquakes.

**8. Tom Wolfe’s The New Journalism — I found this rare book in a used bookstore in Ann Arbor, MI. Love the hand drawing the hand imagery.**

7. Jack O’Connell’s Word Made Flesh — A futuristic and twisted version of my home, Worcester, MA.

6. Henri Matisse’s Jazz — No, I’m not cheating. Matisse does write in this book, and it’s one of my favorite book covers — and books — of all time.

**5. Osip Mandelstam’s Stolen Air — This is a simple cover with a simple swirl, but it speaks so loudly, somehow, to Mandelstam’s poetry.**

**4. Raymond Carver’s Cathedral — If you’ve read the story, Cathedral, then you understand why this cover is so beautiful.**

3. Charles Bukowski’s Ham on Rye — Imagining a young Bukowski always makes me laugh.

**2. Philip Levine’s What Work Is — This photograph of the girl at work in a textile plant is haunting and glorious, just like this book.**

**1. Mike Davis’ The Ecology of Fear — Los Angeles poking through the clouds.**

Categories: Books I'm Reading

Tagged: Art work, Book covers, Bukowski, design, Jack O'Connell, Los Angeles, Mike Davis, writing

Los Angeles Loves Their Middle Fingers: Flip the Bird L.A.

josephalapin

Posted on March 13, 2013

So earlier, I was walking my dog down Barrington, and the sky was oh-so blue; the flowers were blooming; and the traffic was slowly meandering towards the 405. I HAD been at work all day, and the spring air was thrilling — almost like something you would read out of some grocery-store novel to enliven the jaded from winter-solstice blues. I was training Hendrix, my dog, and I was thinking about something I saw earlier on Facebook: Anger is a choice.

That’s when I noticed a truck barreling down behind a car on the way towards Santa Monica. The truck blew past the car trying to turn left, and as the truck was passing, the guy stuck his finger out the window and flipped the car the bird. And it wasn’t just a regular old middle finger; it was the Washington Monument of Fuck Yous — if you know what I mean.

Los Angeles, I have never seen a city so free with their middle fingers. The other day on my way to work, I was driving towards Westwood, when a white Bronco came out of nowhere, swerving in and out of lanes, and for whatever reason, the Bronco starting flipping me the bird — as if I had just cut her off. I couldn’t figure out what this person’s problem was because we were stuck at a red light and nobody was moving. It just struck me very strangely — don’t Angelenos know that the middle finger should only be used in the most extreme offensive? Only in times of extreme offense like somebody kicked your dog or called your wife a bitch.

So why is it that Angelenos use the middle finger so freely?

Because Los Angeles is so large and people are moving so fast, I have a feeling most casual users of the middle finger have never experienced this gesture gone wrong. A driver will flip the bird, and there will be no time for retaliation. Well, I, unfortunately, have experienced the wrong side of the middle finger.

Back in high school, my buddies — Czar and C-Mac — were driving up to Riverside Park — an amusement park in Springfield, Massachusetts, now called Six Flags — in my Subaru Wagon. I was driving, and we were rushing to get there. We wanted to have the whole day at the park to make the crazy admission fee worth it. So I was pissed to find this guy in a SUV, driving 65 m.p.h. in the left lane.

I passed the SUV on the right and then pulled back over to the left lane, slowing down just enough so he could see me. I stared back at him through my mirror, and I saw the man’s face; I saw his wife; I saw the New Hampshire license plate; and I saw his kid in the back seat. Without any hesitation, I showed him my middle finger so proudly you would have that I had been waiting my entire life to tell someone they drive like an asshole.

Big mistake. I drove a little bit faster, and then all of a sudden, a red truck pulled up out of no where, and they flew right behind me. They were right on my bumper, and I thought they were going to hit me. I looked in my rearview mirror, and there were two guys, maybe about 23, with their shirts off, a small confederate flag draped over their mirror, and they were demanding I pull over.

My buddies didn’t say a word; they just looked at me to see what I was going to do. I didn’t know what I was going to do though. So I just pretended like I didn’t see them. I stared straight ahead, thinking they would go away.

But they didn’t stop. They drove up to the side of our car, and they were yelling at us, calling me a pussy and telling me to pull to the side of the road. Well, I wasn’t stupid; I wasn’t about to pull to the side of the road in the middle of Wester Massachusetts. Remember, I was 17–years old; I basically just got my license. Best I can figure it, these were the older sons of the guy in the truck — or maybe even brothers — and they were exacting revenge.

I thought it was going to get real bad when they pulled up in front of my Subaru and started slamming on the brakes. Luckily I stayed calm and just avoided their truck. It must have went on like this for over 15 minutes, until they gave up and moved on.

They sure scared the shit out of me, and I learned that I would make sure if I was going to use the middle finger, then I should use it for something worth fighting about.

Categories: memoir writing

Tagged: Driving in Los Angeles, Flipping the bird., Joseph Lapin Writer, LA, Middle Finger, Subaru Wagon

Posted on May 20, 2013

Pumped to head to San Francisco tonight.

Then after North Beach…

I love all movies and books about prison — Shawshank, Green Mile, Oz, The Fixer. By examining prison life, it forces me to look at my freedom, and it causes me to wonder: With prison always looming in the background of our lives, can we ever be free?

I also didn’t realize that Native Americans, after the prison closed in 1963 , took to The Rock to occupy and protest their rights to land.

We had a great time in San Francisco, but then on Sunday, we drove out to Napa Valley. I didn’t realize how close Napa was to the city, and the drive was stunning. We stopped for some cherries on the side of the road. On a recommendation, we visited Mumm Napa for some champagne.

Then we stopped at St. Supery and played a little bocce ball.

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Posted on April 18, 2013

1. Libraries and piano stores are safe havens.

2. Work is beautiful and can be art:

3. It wasn’t going to be easy.

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Posted on April 11, 2013

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Posted on April 3, 2013

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Posted on April 1, 2013

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Posted on March 18, 2013

10. Ernest Hemingway’s In Our Time – Trains and War and Masculinity

9. Friedrich Nietzsche’s Basic Writings — The “superman” on the cover looks like he’s actually the cause of earthquakes.

8. Tom Wolfe’s The New Journalism — I found this rare book in a used bookstore in Ann Arbor, MI. Love the hand drawing the hand imagery.

7. Jack O’Connell’s Word Made Flesh — A futuristic and twisted version of my home, Worcester, MA.

6. Henri Matisse’s Jazz — No, I’m not cheating. Matisse does write in this book, and it’s one of my favorite book covers — and books — of all time.

5. Osip Mandelstam’s Stolen Air — This is a simple cover with a simple swirl, but it speaks so loudly, somehow, to Mandelstam’s poetry.

4. Raymond Carver’s Cathedral — If you’ve read the story, Cathedral, then you understand why this cover is so beautiful.

3. Charles Bukowski’s Ham on Rye — Imagining a young Bukowski always makes me laugh.

2. Philip Levine’s What Work Is — This photograph of the girl at work in a textile plant is haunting and glorious, just like this book.

1. Mike Davis’ The Ecology of Fear — Los Angeles poking through the clouds.

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Posted on March 13, 2013

So why is it that Angelenos use the middle finger so freely?

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**10. Ernest Hemingway’s In Our Time – Trains and War and Masculinity**

**8. Tom Wolfe’s The New Journalism — I found this rare book in a used bookstore in Ann Arbor, MI. Love the hand drawing the hand imagery.**

**5. Osip Mandelstam’s Stolen Air — This is a simple cover with a simple swirl, but it speaks so loudly, somehow, to Mandelstam’s poetry.**

**4. Raymond Carver’s Cathedral — If you’ve read the story, Cathedral, then you understand why this cover is so beautiful.**

**2. Philip Levine’s What Work Is — This photograph of the girl at work in a textile plant is haunting and glorious, just like this book.**

**1. Mike Davis’ The Ecology of Fear — Los Angeles poking through the clouds.**