Year: 2012

Music in My Life and Writing

Before I was even born, my mother was playing music directed towards her womb so I could hear.  My mother used to sing at church, and for hours a day she was in our basement, playing and singing in front of a beat-up upright piano.  The keys were jagged, and they would cut you if you weren’t careful.  She taught my brother and me how to play.

So when it came time for me to choose my instrument, I took up the drums.  I had a couple of bands as a kid, and I even went to college for music at Stetson University.  They had a great program, but they were mostly a classic program with a very strict and small jazz program.  Well, I wasn’t into that at the time — now I love classical — and during college I realized, suddenly, I didn’t want to make a living out of music.  I didn’t want it to be the only thing in my life.  One day, I will tell you the story of a great professor, Dr. Michael Raymond, who changed my life and made me want to be a writer.

I hated the music school at Stetson.  I liked the people, but I hated the program.  And it was a top-notch program — just not for me.  I wanted to play the drum set, and I wanted to play the set LOUD.  I used to go into the drum room, and one of the teachers used to complain that he couldn’t concentrate.  So I quite to become a writing major, which is eventually my chosen path.

But even though music isn’t what I wanted to center my life around, it still plays an integral part of my day and my writing.  Let me explain.   Continue reading “Music in My Life and Writing”

Who Would Have Thought So Many People Are Still Interested in Jazz?

Today, my piece at the OC Weekly, 10 Jazz Albums to Listen to Before You Die, went viral.  It was incredible.  Okay, so I’m going to be honest with you here; I check my posts to see how many hits they get.  If I write a piece for the LA Weekly, OC Weekly, Long Beach Post, etc, well, I want them to do well.  I want them to be read.  That’s why I write the pieces in the first place.

Sometimes, I’m pleased with the turn out, but other times I just can’t help but wonder: Why didn’t that piece get read?  I mean, there is so much great writing out there, why doesn’t all of it get read by everyone?  Obvious reason: There is so much content and little time.

So today, I was working on my research for a piece I’m writing on concussions, when I went back to the OC Weekly page to check out the stats.  It was doing really well on StumbleUpon, but nothing really on Facebook.  All of sudden, I noticed the ticker at the bottom of the page said there were about 500 people reading.  I couldn’t believe 500 people were reading.  That was a hell of a lot of people.  Then click on the slide show.  You’ll be able to see the jump it took within minutes.

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The funny thing was that it just kept growing, and the count stayed like that for hours.  In fact, right now, it’s still growing and there are 800 people reading the piece right now.  If you’re one of the people who read the piece, thanks so much.  It’s great to know there is still an audience for jazz — even if you disagree with my choices.

Goodnight everyone.  Need to sleep.

The First time I read Slaughterhouse 5

How often do you finish a novel, closing that last page, and feel something bigger than yourself?  As if the book was designed by an architect with enough imagination to construct universes and galaxies?   Okay, that’s a bit hyperbolic, but if you have ever read a book in your life, which I’m sure that you have, then you understand the feeling that I’m talking about.  I won’t call it magic.  But it’s something, well, unsayable.

I’ll never forget the first time that I felt that sensation.  My mother and father were going through a terrible divorce — this might have been back in the summer of 98 — when my father had finally sold my childhood home.  My father had already moved out, but my mother, my brother, and I still lived there.  Well, the house was finally sold, and the packing was about to begin.  That house meant the world to us.  I remember, as a kid, I would try and convince my mother to take me to McDonald’s, because they had this Monopoly game.  I thought for sure I was going to peel a sticker and win enough money to buy the house.  I would be a hero.

Anyway, it was the summer, and I had some books to read.  All throughout the summer, I dreaded reading those books on the reading list almost as much as losing my house.

But my father had come up with the idea, that instead of my brother and me helping with the move — the “trauma” of placing our memories into boxes and physically dissembling the home that had already fallen apart emotionally — my father decided to take us on a trip to Myrtle Beach.  That would mean that my mother and my grandparents would have to take care of moving.

So, my grandparents paid for some movers to help with the process, and my brother and I were in Myrtle Beach, running up and down the beaches, seizing the day, raging against the dying of childhood.  I spent most of the day boogie boarding.  Yeah, yeah, I did enjoy myself, but in the moments between the fun, I couldn’t help but think of my mom unpacking our lives.  I couldn’t help but think of the divorce.  I couldn’t help but think of the disappearing home.

The thoughts became so intense that I stopped caring about the ocean or Myrtle Beach.  I stopped caring about fishing.  I stopped caring about vacation, and I just sat on the beach, reading my books on the reading list.  The first book was Kurt Vonnegut’s, Slaughterhouse Five.  That might have been the first time that I chose, deliberately, reading over “play.”

My father kept jumping back into the ocean with my brother, and my Uncle was drinking a mudslide on the beach.  They kept trying to get me to leave my chair, but I refused.  I didn’t want to leave the world of Billy Pilgrim.  The way he jumped around in time, it made me wonder about the way that I was existing.  Could I, like Billy Pilgrim, float back and forth through time, too?  Was time only a fault of human’s inferior perceptions?  Ah, I’m getting way too nerdy.  But it’s really not that crazy; it’s exactly what Einstein was talking about with time travel.  It was exactly what Faulkner meant when he said: “The past isn’t dead.  In fact, it’s not even past.”

Well, in terms of the book, I had never thought about time in those ways.  I had never thought about memory in those ways.  I had never thought about destruction in those ways.  I couldn’t believe that in one day at the end of World War II, our country killed more people in Dresden than they did in Nagasaki and Hiroshima.  And the worst part of it all was that no one was talking about it.  There was this whole history of violence and corruption, and according to the world of Billy Pilgrim, it was always happening, revolving and revolving and revolving just out of our perception.  History, war, violence wasn’t something that went away.  It has stained our very essence.

Sometime around then I closed the book, and I looked up.  I saw my Uncle sipping from a straw.  I saw my father running down the beach after my brother. I heard the lifeguard flag slapping in the wind.  A man cast and reeled a fishing pole.  The ocean ceaselessly crashed against the beach.  I shut the book, and I knew that I would never be the same again.

Sci-Fi, Mental Health, Poetry Foundation — A Lost Weekend

This weekend, Heron went up to Sacramento, and when she’s out of town…I watch Sci-Fi movies.  Heron loves some pretty good movies, but it’s hard to get her into Sci-Fi.  I don’t push it.

But this weekend, I walked down to Broadway Video in Long Beach, and I asked one of the guys for a movie rec.  Told him I wanted to see a movie kind of like Blade Runner.  So he suggested THX 1138 — a George Lucas movie starring Robert Duvall.  Now, I had never heard of this movie, but I trusted the guy at Broadway Video, because he initially recommended a Kubrick film and an adaptation of a Philip K. Dick book.

Well, this movie, THX 1138, is everything I love about a good Sci Fi/dystopia story.  Here’s the plot overview from IMDb: “Set in the 25th century, the story centers around a man and a woman who rebel against their rigidly controlled society.”  Man, this movie pulls out all the stops to present a world controlled by machines where they imprison their citizens with psychological manipulation.  It was like watching a movie infused with 1984, The Allegory of the Cave, and anything written by Foucault.  At the heart, it’s a story about forbidden love and the repercussions.

There’s just something about these movies: a man fighting against society: to free himself from convention — literal and metaphorical — to understand what it truly means to have liberty.  That’s what I want my memoir to be like.  In a lot of ways, coming-of-age stories (bildungsroman) have a similar idea in mind.  A young kid rebels against society in order to remain an individual, but what he finds is that he becomes a part of the society — for good or bad.

But THX 1138 is pretty intense.  They keep their citizens sedated so they will remain calm at all times.  In fact, if they don’t take their medication, then they’re brought up on drug evasion chargers.  It’s like watching, at times, a series of psychological experiments.  There’s this one seen, which is the cover, where the “authority” has Robert Duvall’s character in a room.  They’re trying to rehabilitate him.  So they keep him in line with a series of electrified sticks.  Well, just check out the video.

So after this, I finished Freud’s “Civilization and It’s Discontents.”  I’ve been meaning to finish it for so long.  Guilt, Freud sure hates guilt.

But all this just kept me thinking about mental health.  Psychological freedom.  How is that possible?  All of my favorite movies and books are about a main character, in one way or the other, struggling against society for freedom and truth.  Is truth freedom?  The truth will set you free, as they say.  Ah, what am I even talking about?  I will develop these ideas over the next couple blogs.

I need to really work hard this next week, because I have about five major deadlines the following week.   Something I’m working on right now is balancing several projects and learning to stay focused on each project during certain time periods.  It’s difficult, but I’m managing.  Communication becomes difficult when you have so many projects.

Oh yeah, I was mentioned by the Poetry Foundation for my article at the LA Weekly: In Defense of the Future L.A. Poet Laureate.  Okay, goodnight everyone.  Tomorrow I’m going to share a post on the first time I read Slaughterhouse 5.