It’s 10:17 p.m., and I just returned from a walk, where I tried to ignore several meetings in the morning and the conundrum of finding a way to be present in those meetings while balancing projects that need significant brain power to complete. Work takes up a significant amount of space in my mind, and I am grateful that I can use my craft to help in my profession. I tell stories at work, and I have incredibly clear outcomes: Grow our business, please our clients, and pay my bills. There is a sense of satisfaction in that clarity.
On the other hand, my creative work doesn’t have as clear outcomes. I don’t have deadlines; I don’t get paid (at least very much); and I don’t have any true metrics to evaluate performance outside of the arbitrary ones I set for myself. After I returned from the walk, where I wondered how many days after Christmas it would take some of the neighbors to remove their holiday lights, I saw my desk calling to me: Hey, Joe. You can get a couple hours of writing in before bed. You don’t need those 30 extra minutes of sleep. At this time of night, I find myself negotiating with the desk: But I can get the work done in the morning. How about this: 10 minutes on the story and 20 minutes continuing to build the framework for the novel after I make coffee? That should satisfy you, right? The desk is cold: Shut your mouth when you’re talking to me and sit your ass down.
The desk always wins, however. It looks at me with those black eyes and coffee-stained freckles that look like constellations, a road map to the creative journey I build in my mind, and it guilts me into submission. Whether I engage or I don’t, the desk is on my mind, taking me out of whatever moment I’m trying to exist within…And I catch myself wondering: Why the hell am I doing this? Why am I negotiating with a desk?
Many years ago, I would have been able to tell you clearly why I write creatively. I would have said: When I was in college, I read George Orwell’s Why I Write, and I felt a duty to speak truth, to say something meaningful, to throw a cog in the endless machine of soothsayers and reality-shapers. In high school, I would have said I write because I read Kurt Vonnegut’s Slaughterhouse-Five during a summer vacation in Myrtle Beach, and when I finished, I couldn’t imagine that life would ever be the same. I would have said that I write because I feel that the only way my life has meaning is if I’m remembered after I’m dead, and leaving a legacy of writing can help. I would have said because nobody thinks a kid from Clinton, Mass, can grow up and write novels. I would have said anything that I thought I needed to hear me say.
But why do I do it now? Why Do I spend the time after a hard day’s work to write stories and novels that I’m not sure anyone will ever read? Why do I take hours out of my day to think about sentences, paragraphs, characters, verisimilitude, the authenticity of act two?
I don’t get paid for this work. I don’t get recognized every day when I come home. I don’t have a boss that can provide a performance evaluation and tell me that I’m doing a great job…here is a raise. I don’t have clients to please.
It’s 10:31 now, and my wife wants to go to bed. I have a copy of Arthur C. Clark’s 2001: Space Odyssey on my nightstand that I can’t wait to read. I hear the sink in the bathroom turning on. I hear the traffic on the highway several streets over. But still, why do I do this? Why do I spend the time to brave rejections and acceptances, to fail and succeed (mostly fail), to wait for other people’s evaluations of my work, to publish blogs that I’m never positive people will read or ignore?
These questions have been running through my head over the last month, and I realized that I was struggling to answer them. That was until it hit me: I write because I want to connect with people. I want to build a conversation. I want to hear people tell me about their stories that, perhaps, my story inspired. I want to speak to the people who don’t feel like anyone is willing to talk. I want to write stories that force people to think twice about how they perceive mental illness. I want to write stories that illuminate the power of the imagination and how sometimes our realities are not as objective as we believe.
I want to communicate. It’s as simple as that. That’s such a basic want, and somewhere along the line, I forgot the power of that, and I began to force my work to fit expectations, marketplaces, genres that might not have been me. But I have to learn in 2018 to accept that I do not have control over creative work. I can’t bend it into the shape I want. I can’t force the genre of my work to reflect the perception I want others to have of me.
I write now because I want to connect with people, and the only way I believe I can connect with them is to find a way to bleed on these pages, to use them as a mirror to the self, to share something authentic and true. That is my goal. That is why I write. To share and know the authentic self.